#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
MELLON COLLIE and the INFINITE SADNESS - the song :)



TRANSCRIBED BY ADAM MORRIS



DO NOT overlook this TAB just because it a piano song, 

it is GREAT fun to play!!



This was NOT an easy task, I can assure you of that!!

Some piano chords do not convert well to guitar!



This is all I have at the moment..it is up to the end

of the first repeat.  The second repeat has slight

variations that I may tab later.  It depends on the 

reaction (if any) from this tab.



TUNING: 1/2 step down, dropped D (actually Db), with 

        capo on 2nd fret.  The 3rd fret now becomes 

        the 1st fret etc.





Piano arranged for guitar





E |----------0-0--3-1-0-1-0--------|

B |-1--------1-1--------3---3-1----| 

G |-0------0-0-0--------2-----x--2-| 

D |-2----2---2-2--------0-----3----|

A |-3--3-----3-3--------------3----| 

D |--------------------------------| 



  |----------0-0--3-1-0-1-0--------|

  |-1--------1-1--------3---3-1----| 

  |-0------0-0-0--------2-----x--2-| 

  |-2----2---2-2--------0-----3----|

  |-3--3-----3-3--------------3----| 

  |--------------------------------| 



  |-1--0------------------------0--|

  |-x-----3--1-----1--------1-3----| 

  |-3--------x--2--0------0--------| 

  |-3--------3-----2----2----------|

  |-1--------3-----3--3------------| 

  |--------------------------------| 



  |--------------------------------|

  |-6--5--3--1--1------------3-1---| 

  |-0-----0--x--2----------0-----3-| 

  |-0--------3-----1-----1---------|

  |-x--------3-----1---1-----------| 

  |-5--------------1-1-------------| 



  |--------------------------------|

  |-1----1--3--6-------------3-1---| 

  |-2----2--3--3--3------3-5-----3-| 

  |-x-------0-----5----5-----------|

  |-3--3----------5--5-------------| 

  |--------------------------------| 



  |--------------------------------|

  |-1----1--3--6-------------3-1---| 

  |-2----2--3--3--3------3-5-----3-| 

  |-x-------0-----5----5-----------|

  |-3--3----------5--5-------------| 

  |--------------------------------| 



  |--------------------------------|

  |-1----1--3--6-------------3-1---| 

  |-2----2--3--3--3------3-5-----3-|   

  |-x-------0-----5----5-----------|

  |-3--3----------5--5-------------| 

  |--------------------------------| 



  |--------------------------------|

  |-1---------1--------------------| 

  |-2------2----3-2-0------0--3-2--| 

  |-3----3----------1----1--------3|

  |-3--3------------1--1-----------| 

  |--------------------------------| 





That is up to where the cello comes in...

after that it changes slightly, and I can't

be bothered sitting here and figuring it out!!



PLEASE tell me what you think!!!



Adam

benmo@deakin.edu.au

	Web e-tabs.org