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From: "Alan C. Bevington" <alancb@olynet.com>
Subject: j/joel_billy/shes_got_a_way.tab
Date: Mon, 29 Oct 2001 17:30:18 -0800

Transcribed by Lee D. Russell
*Second version transcribed by Alan C. Bevington


Billy Joel
She's Got a Way

Figure 1

     G   D/F   Em   G7/D   C             D   Em7   D/F    D
e:---3----2----0------1----0---------0---2----0-----x-----2-----|
B:---3----3----0------0----1-----1-3-----3----3-----3-----3-----|
G:---4----2----0------0----0--0----------2----0-----2-----2-----|
D:---5----4----2------0----2-------------0----2-----4-----0-----|
A:---x----x----x------x----3--3----3-----x----x-----x-----x-----|
E:---x----x----x------x----x-------------x----x-----x-----x-----|
	   Verses

Figure 2

	    Ebmaj7   F2   Arpeggiated G into "chorus"
e:------3------3-----3--------3-------------------|
B:------3------1-----------0--0--------0----------|
G:------3------2-------0-2-------0--2-------------|
D:------1------3----------------------------------|
A:------x------x--------------------2--3----------|
E:------x------x-----3--------3--3----------------|
	    Change after verses "...anyway." And "...anywhere."


Figure 3

						      /2nd Chorus only   \
     D   Am    G   Gm   D/F   F#/Bb   Bm   D7/A     G   D/F   Em   
e:--2----0---3---3----2------6-----7----2---*--3---2----0-------|
B:--3----1---3---3----3------7-----7----1---*--3---3----0-------|
G:--2----2---4---3----2------6-----7----2---*--0---2----0-------|
D:--0----2---5---5----0------8-----9----0---*--0---0----2-------|
A:--x----0---5---5----0------9-----9----0---*--2---0----2-------|
E:--x----x---3---3----2------6-----7----x---*--3---2----0-------|
    Chorus

Figure 4

   Arpeggiated G ending
e:----3-----------3-----|
B:----0--------0--0-----|
G:-------0--2-----------|
D:----------------0-----|
A:----------2-----------|
E:----3-----------------|


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The intro for this song is just the initial G chord played for two =
measures.  Also, on the second chorus, in addition to the extended =
ending, there is one other change.  Instead of playing the Gm, play the =
chord below...

e:----1-------|
B:----1-------|
G:----1-------|
D:----3-------|
A:----1-------|
E:----x-------|

Don't remember enough theory to know for sure if it would be better to =
call this chord Gm/C or just Cm9.  Probably Cm9.

This song sounds best played fingerstyle, makes it easier to get some of =
the stranger chords. 

I would highly recommend getting a copy of this song to hear for =
yourself.  It will help make this make sense plus give you a feel for =
the "little details."

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